Month In The Country - Review The Argus 4th April 2014
Love is a catastrophe, says Michel to Alexei in the last act of
Turgenev’s A Month In The Country, at the end of which you believe him. On stage are thwarted, undeclared or unconsummated passions for
married mothers, young tutors, innocent girls, family friends or servant
girls: escape is only possible through mariage de convenance, or a
train to Moscow. Happiness is not on offer. It’s a challenging play for
young actors: plot as character develops as slowly as Turgenev’s own
‘lace from knots’, with only the merest of gestures for Natalya to
demonstrate passive, Russian fatalism. But this allowed time for growing
confidence – there was an early tendency to rush.
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| A Month In The Country - The Old Market, Hove. |
Sean McLevy directed young actors from the Academy of Creative
Training and produced a most accomplished and satisfying performance:
overall acting, stage movement, voice production and set management were
superb. Sarah Cockburn had to become Frau, not Herr, Schaaf for her
very funny joke, comic relief shared by the cracker jokes of the
excellent Paolo Delogu. Claire Maria Tipper was beautifully bored but
whilst Vera and Alexei were charmingly youthful, were Arkadi or Michel
quite mature enough? Are men, ever?
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| Paolo Delogu as Dr Shpigelsky |
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| Paolo Delogu as Dr Shpigelsky and Sophie Russitto as Vera |
